Each year E3W graduate students and faculty collaborate to write, edit and publish a Review of important works and archives in the field. Reviews cover works of fiction, poetry, ethnography and more. Students are also encouraged to interview important authors and review works of art such as contemporary film and theatre.
Hannah Hopkins and Keerti Arora are serving as Co-Editors for the 2023 issue.
I.B. Hopkins and Iana Robitaille served as the Co-Chairs of the 2023 Sequels Symposium.
FAQ:
Who do I contact about becoming a special section editor, editorial committee member, or a reviewer?
This year’s Editors are Hannah Hopkins and Keerti Arora
Where can I learn about the types of reviews that are being solicited for this year’s Review?
While we accept reviews of books published in the last three years, we also specifically solicit reviews for the four Special Sections of each issue. Check our “Call For Reviews” page for more details.
How can I obtain back issues?
For a personal copy of back issues contact Dr. Neville Hoad. If you’d like a digital version of archived issues, visit our Issue Archive page.
Can I borrow The E3W Review of Books from the Library?
Yes, the Perry-Castañeda Library at the University of Texas at Austin has the full collection in its holdings.
Meet your E3W Collective Leadership Team
NEVILLE HOAD is an associate professor of English and co-director of the Bernard and Audre Rapoport Center for Human Rights and Justice. He authored African Intimacies: Race, Homosexuality, and Globalization (Minnesota, 2007) and co-edited (with Karen Martin and Graeme Reid) Sex & Politics in South Africa (Double Storey, 2005). He is writing a book on the literary and cultural representations of the HIV/AIDS pandemic in Sub-Saharan Africa.
BASSAM SIDIKI is an assistant professor of English at the University of Texas at Austin, and is affiliated with the MA Program in Humanities, Health, and Medicine and the Center for Asian American Studies. He conducts research and teaches in the health humanities, disability studies, and postcolonial studies.
I. B. HOPKINS is a playwright, teacher, and PhD student in the Department of English at the University of Texas at Austin. He is the recipient of a Fulbright Grant and Michener Fellowship and has worked as a critic for Sightlines, an Austin arts magazine. His current research, titled “Bad Actors,” explores the aesthetics of historical drama and adaptation in depictions of the US south(s).
HANNAH HOPKINS (she/her) is a third-year doctoral student in the Department of Rhetoric and Writing at the University of Texas at Austin. She studies data cultures, environmental rhetorics, and digital ecologies. Hannah has been involved in the Review for four years. This is her first year as a Senior Editor.
KEERTI ARORA is a PhD student and instructor in the department of English at the University of Texas at Austin. She researches articulations of race, gender, and sexual expression in inter-racial and inter-ethnic relational contexts in 20th and 21st century US and transnational literature. Her interests include race and embodiment, the phenomenology of race, and transnational sexuality studies.
IANA ROBITAILLE is a PhD candidate in the Department of English at the University of Texas at Austin, where her research and teaching focus on post-1945 transnational U.S. literature, postcolonial theory and cultural studies, and race and immigration. Her dissertation interrogates the narrative logic of inheritance fundamental to three modern regimes—property law, heredity, and world heritage—and its “troubling” representation in contemporary transnational U.S. fiction. Her writing has appeared in or is forthcoming from Studies in the Novel, Public Books, Black Studies, the E3W Review of Books, and AMS:ATX. She also sometimes Tweets about apples @iananotlana.
